Music with Ease > Opera > Opera Quotes > Giuseppe Verdi Quotes

I read with reluctance the librettos that are sent to me. It is impossible, or almost impossible, for someone else to divine what I want.
-- Giuseppe Verdi, letter, 1853

The artist must yield himself to his own inspiration... I should compose with utter confidence a subject that set my musical blood going, even though it were condemned by all other artists as anti-musical.
-- Giuseppe Verdi, letter, 1854

Stupid criticism and still more stupid praise.
-- Giuseppe Verdi, speaking of the press notices of Aida

Verdi... has bursts of marvellous passion. His passion is brutal, it is true, but it is better to be impassioned in this way than not at all. His music at times exasperates, but it never bores.
-- Georges Bizet (1818-75), letter, 1859


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Quotable Opera: Aria Ready for a Laugh?

What they said when they were not singing.

Here are hundreds of quotes that highlight the wit, wisdom and lunacy of the opera world. Luminaries Verdi, Puccini, Wagner, Caruso, Ruffo, Chaliapin, Melba, Sills, Callas, Toscanini, Beecham and other more recent personalities have had lots to say about opera, themselves and each other.

There are venomous quotes from critics and emotional outbursts by performers and listeners. One hapless society matron tried complimenting soprano Eileen Farrell at a reception in her honor with "My dear, you reminded me so much of Kate Smith." The comparison so rattled the diva Farrell that she blurted out, "Well, kiss my ass!" and stormed out.

Austrian conductor Franz Schalk is noted for the most emblematic words about opera life: "Every theatre is an insane asylum, but an opera theatre is the ward for the incurables."

This book will be a delight for aficionados of opera.

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Opera Antics and Anecdotes

Opera singers are just like other people, only more so. Often unseen by their public and fans, they erupt in glorious, dazzling displays of human cussedness, using biting banter, one-up-manship, and even sabotage to deal with their main frustration, which is, of course, each other. The irreverent atmosphere backstage is often hilariously in contrast with the reverent hush out front. In terms of chaos on stage, yells from the balcony and intermission twaddle in the foyer, you'll meet dimwitted audience members, meatball tenors, vain soprano fatsos, stilletto-tongued conductors and old-time impresarios and general managers who didn't know their brass from their oboe. The Viennese conductor Franz Schalk said, "Every theater is an asylum, but an opera theatre is the ward for incurables."

Buy a copy from Amazon.com