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Music with Ease > Opera > Opera Quotes > Charles Gounod Quotes
Famous Quotes
Charles Gounod
(1818-1893)
Musical ideas sprang to my mind like a flight of butterflies, and all I had to do was to stretch out my hand to catch them.
-- Gounod, speaking of his period in Provence, 1863, quoted in J Harding, Gounod (1973)
My humiliating profession of decomposer of music.
Gounod, speaking of the demands for changes to his opera, Mireille, quoted in J Harding, Gounod (1973)
I fight against the void. I think I've written something acceptable, and then, when I look at it again, I find it execrable.
Gounod, 1870, quoted in J Harding, Gounod (1973)
To be a great artist is not necessarily to be an honorable man.
-- Georges Bizet, referring to Gounod, quoted in W Dean, Bizet (1975)
You were the beginning of my life as an artist. I sprang from you, You are the cause and I am the consequence.
-- Georges Bizet, letter to Gounod, 1872
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Quotable Opera: Aria Ready for a Laugh?
What they said when they were not singing.
Here are hundreds of quotes that highlight the wit, wisdom and lunacy of the opera world. Luminaries Verdi, Puccini, Wagner, Caruso, Ruffo, Chaliapin, Melba, Sills, Callas, Toscanini, Beecham and other more recent personalities have had lots to say about opera, themselves and each other.
There are venomous quotes from critics and emotional outbursts by performers and listeners. One hapless society matron tried complimenting soprano Eileen Farrell at a reception in her honor with "My dear, you reminded me so much of Kate Smith." The comparison so rattled the diva Farrell that she blurted out, "Well, kiss my ass!" and stormed out.
Austrian conductor Franz Schalk is noted for the most emblematic words about opera life: "Every theatre is an insane asylum, but an opera theatre is the ward for the incurables."
This book will be a delight for aficionados of opera.
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Opera Antics and Anecdotes
Opera singers are just like other people, only more so. Often unseen by their public and fans, they erupt in glorious, dazzling displays of human cussedness, using biting banter, one-up-manship, and even sabotage to deal with their main frustration, which is, of course, each other. The irreverent atmosphere backstage is often hilariously in contrast with the reverent hush out front. In terms of chaos on stage, yells from the balcony and intermission twaddle in the foyer, you'll meet dimwitted audience members, meatball tenors, vain soprano fatsos, stilletto-tongued conductors and old-time impresarios and general managers who didn't know their brass from their oboe. The Viennese conductor Franz Schalk said, "Every theater is an asylum, but an opera theatre is the ward for incurables."
Buy a copy from Amazon.com
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